Preethi’s Weblog


Indian Film Industry

The Indian film industry is the largest in the world in terms of the ticket sales and the number of films produced annually (877 feature films and 1177 short films were released in the year 2003 alone).India is a large country where many languages are spoken. According to the 1991 Census of India there are about 10,400 ‘raw mother tongues’ in India. If closely related and mutually comprehensible dialects are grouped, the number can be reduced to 1576 ‘rationalized’ mother tongues, or with even more consolidation, 114 main languages. These 114 languages are the ones surveyed in the Indian census. Indian film producers have made films in thirty of the largest languages. However, only the very largest language groups support major regional industries. These are: Hindi, Tamil, Telugu, Bengali, Marathi, Kannada, Odiya and Malayalam. Official statistics categorise Indian films according to the languages in which they are distributed.

There is a great deal of mobility between the regional industries. Many workers in other regional industries, once their talent and popularity is established, move on to work in other film industries, nationally as well as internationally. For example, A.R.Rahman, one of the best known film music composers in Indian cinema, started his career in Tamil Cinema in Chennai but has since worked in Bollywood, London, and New York. Similarly, films that succeed in one language are often remade or dubbed in others. Films like Padosa and Roja, for example, were re-made or dubbed from their original Bengal and Tamil versions respectively, into Hindi.

Bhojpuri (Purvanchal) film industry

Bhojpuri dialects, varieties, and creoles are also spoken in various parts of the world, including Brazil, Fiji, Guyana, Mauritius, South Africa, Suriname, and Trinidad and Tobago. During the late 1800s and early 1900s, many colonizers had faced labor shortages and were unable to obtain slaves from Africa due to the abolition of slavery; thus, they imported many Indians as indentured servants to labor on plantations. Today, many Indians in the West Indies, Oceania, and South America still speak Bhojpuri as a native or second language.

The Bengali (Bangla) film industry

The history of cinema in Bengal dates back to the 1890s, when the first “bioscopes” were shown in theatres in Calcutta. Within a decade, the first seeds of the industry was sown by Hiralal Sen, considered a stalwart of Victorian era cinema when he set up the Royal Bioscope Company, producing scenes from the stage productions of a number of popular shows at the Star Theatre, Minerva Theatre, Classic Theatre. Following a long gap after Sen’s works, Dhirendra Nath Ganguly (Known as D.G) established Indo British Film Co, the first Bengali owned production company, in 1918. However, the first Bengali Feature film, Billwamangal, was produced in 1919, under the banner of Madan Theatre. Bilat Ferat was the IBFC’s first production in 1921. The New Theatre production of Dena Paona was the first Bengali talkie. A long history has been traversed since then, with stalwarts such as Satyajit Ray, Mrinal Sen and Ritwik Ghatak and others having earned international acclaim and securing their place in the movie history. Today, there are two Bengali film industries, one in Kolkata (Calcutta), India and the lesser known one in Dhaka, Bangladesh (called Dhallywood). The film industry based in Kolkata is sometimes referred to as Tollywood, a portmanteau of the words Tollygunge, the area of South Kolkata where this industry is based, and Hollywood. The Bengali film industry has long centred in the Tollygunge district of Kolkata (Calcutta). Its most famous film director is Satyajit Ray, who won an Oscar for lifetime achievement in cinema. However, Bengali films have always remained the hot favourites among the National Awards jury almost every year since its inception. Some of the most popular Bengali film personalities include Kishore Kumar, Mithun Chakraborty, Uttam Kumar, Soumitro Chatterjee, and recently Proshenjit. Some of the other Bengalis who have made it big are Ashok Kumar, Bimal Roy, Mrinal Sen, Ritwik Ghatak, Aparna Sen, Suchitra Sen, Hemanta Mukherjee (Hemanth Kumar), Manna Dey, Sandhya Mukhopadhyay, and Rituparno Ghosh.

The Hindi film industry (Bollywood)

The Hindi film industry, based in Mumbai (formerly Bombay), is the largest branch of Indian cinema. Hindi film Industry is often called ‘Bollywood’ (a melding of Hollywood and Bombay). The word “Bollywood” is sometimes applied to Indian cinema as a whole, especially outside South Asia and the South Asian diaspora, but this usage is incorrect. Bollywood has been recently greatly criticized for what critics see as a violation of Indian cultural values and its discussion of controversial topics. It is considered the most liberal out of the Indian language film industries.

Regional movies are distinctively different from Bollywood (Hindi) movies, as the stories and themes of these movies portray the culture of the region from which they originate, while most Bollywood movies nowadays are greatly influenced by Western culture.

Although Bollywood does not distribute a lot of films, it can be considered to be largest in terms of viewers. It is believed that Bollywood movies are watched by majority of the Indian movie goers. It also has international recognition, especially in Western countries such as the UK, USA, Canada, and Australia where there is a large South Asian community.

The Kannada film industry

The Kannada film industry, based in Karnataka, is sometimes called ‘Sandalwood’, as Karnataka is known for its sandalwood; however, this term does not seem to be in widespread use. The Gubbi Veeranna Company, or Veeranna’s Sri Chennabasaveshwara Krupa Poshita Nataka Sangha and other groups established themselves first as theatre troupes, and later went on to dominate kannada cinema into the 1960s. “They provided all its key directors like H.L.N . Simha, B. R. Panthulu and G. V. Iyer, its stars led by Rajkumar and Leelavathi and most of its early commercial hits: Bedara Kannappa (1953), for instance. The first big success in Kannada cinema adapted a Gubbi Company stage play written by G. V. Iyer to introduce the mythological adventure movie into that language.” Kannada films has become very popular after the recent hits like Jogi (2005) & Mungaru Male (2007). Mungaru Male has been the first Indian movie to be screened in many European countries.

The Kashmiri film industry

The Kashmiri film industry, which had been lying dormant since the release of Habba Khatoon in 1967, was revived after a 39-year hiatus with the release of Akh Daleel Loolech in 2006. However critics dispute this claim because this film was a small budget digital film which did not play in any film theatres except in a few private and film festival screening. Besides Akh Daleel Lolach uses a film style which is common on Kashmiri television and by those standards Kashmiri video makers were making films since early 1980s. Cinema halls had been shut down for a long time in Kashmir, by militants protesting against the New Delhi based Government. There are few cinema halls and a handful of directors have been returning to shoot in the region. Though the region was favoured by many producers as a scenic locale in pre-militancy era Bollywood movies as a romantic backdrop, the regional industry was not very strong, due to lack of finances and infrastructure.

The Malayalam film industry.

The Malayalam film industry, based in Kerala. Malayalam movies are known for their artistic nature and they frequently figure in the national film awards. It is also currently known for being the most conservative out of the different film industries in India, despite the fact that it went through a liberal phase in the 80’s. Notable personalities: filmmakers, Padmavibhushan Adoor Gopalakrishnan, Bharathan, Aravindan, Padmarajan, John Abraham; Sreenivasan, Shyamaprasad, Kamal, Renjith scriptwriter, M. T. Vasudevan Nair, Sreenivasan; cinematographer, Azhagappan, Santhosh Sivan, Shaji; actors, Bharath Gopi, Tilakan, Padmabhushan Prem Nazeer, Satyan, Padmashri Mammootty, Padmashri Mohanlal, Padmashri Balachandra Menon; playback singers, Padmabhushan Dr. K. J. Yesudas, Padmasree K. S. Chitra, P Jayachandran, M G Sreekumar and Sujatha.

The first 3D film which produced in India was in Malayalam. Its name was My Dear Kuttichatthan produced by Navodaya Productions. Padayottam, the first fully indigenous 70MM film with all its work done in India was in Malayalam which was also produced by Navodaya. The fist Cinemascope film in the world was produced in Malayalam. Chemmeen was the first film which earned a gold medal from the President from South India.”Guru”, directed by Rajiv Anchal, is the only Malayalam film proposed as the Indian entry by the Indian Film Industry council for Oscar Award so far.

The Marathi Film Industry

Marathi Film Industry, one of the oldest film industries in India, originated in Nasik, and developed in Kolhapur and Pune. In recent years, it has moved mostly to Mumbai (Bombay), Maharashtra.

Dadasaheb Phalke, recognized as the father of Indian cinema, was a pioneer of movies in Marathi. He produced the first Indian silent movie, and later some Marathi talkies. In his honor, a much coveted “Dadasaheb Phalke Award” is given annually for exceptional contribution to Indian cinema.

1940s and ’50s formed the classical era of Marathi cinema, mainly because of some hallmark productions by the now extinct “Prabhat Film Company” in Kolhapur. As an offshoot of Prabhat, V. Shantaram founded “Rajkamal Studios” in Pune, and produced some excellent Marathi movies in the late 1950s and early ’60s.

Because of the rise of Hindi movies in Bollywood, Marathi film industry underwent a decline in the 1980s and ’90s. But recently it has been reviving with some quality movies like “Shwaas” (which earned an official Indian entry for an Oscar award in 2004), “Pak Pak Pakaak” (which won Swarovski Trophy in AFFF, Singapore, in 2005), “Uttaraayan”, “Aga Bai, Arecchaa”, “Shubhamangal Saavdhaan”, and “Saatchya Aat Gharaat”.

Bhalji Pendharkar, Baburao Painter, V.Shantaram, Dada Kondke, Raja Paranjpe, Mahesh Kothare, Smita Talwalkar, Sumitra Bhave, Sunil Sukthankar, Gajendra Ahire, Jabbar Patel, Amol Palekar, and Kedar Shinde are some of the notable directors and producers in Marathi cinema in the past few decades.

Modern Marathi actors include Dilip Prabhavalkar, Bharat Jadhav, and Sanjay Narvekar.

While some old Marathi movie songs remain popular, new composers like Ajay-Atul have been producing some very popular songs. Some of the old songs have also been remixed.

The Tamil film industry (Kollywood)

The Tamil film industry (Kollywood), based in the Kodambakkam area of Chennai is one of biggest film industries in India. Popularity and collections wise, the Tamil film industry is third only to the Hindi and Telugu film industries. Tamil films have enjoyed consistent popularity among Tamil speakers in India, Sri Lanka, Singapore, Malaysia and Mauritius. Tamil films also receive fame in countries which contain Tamil immigrant communities such as the United States, United Kingdom, Canada, and other European countries.

Kollywood remains third to Bollywood in India commercially and financially. Several technicians have crossed industries to encapture National fame such as Mani Ratnam, Selvaraghavan, A. R. Rahman, Shankar, Ravi K. Chandran and Jeeva. However unlike the technical counterparts, artistes from South India tend to fail to break into Bollywood, with only a handful breaking through, them being: Kamal Haasan, Sridevi, Madhavan, Siddharth Narayan and Asin Thottumkal.

Ironically, several Bollywood actresses made their débuts in Kollywood, with Aishwarya Rai appearing in Iruvar, Priyanka Chopra in Thamizhan, Lara Dutta in Arasatchi and Sushmita Sen in Ratchagan. Furthermore, several actresses have done Tamil films while struggling to breakthrough in Bollywood, such as Kajol and her sister, Tanisha as well as Amisha Patel.

In the Tamil film industry, directors such as K. Balachander, Shankar, Ameer, Bala, Bharathiraja, Balu Mahendra, and Mani Ratnam have achieved box-office success whilst producing films that have balanced art and popular elements. The Tamil film industry accounts for approximately 1% of the gross domestic product of the state of Tamil Nadu. Costs of production have grown exponentially from just under Rs.4 million in 1980 to over Rs.110 million by 2005 for a typical star-studded big-budget film. Similarly, costs of processing per print have risen from just under Rs.2,500 in 1980 to nearly Rs.70,000 by 2005. There has been a growing presence of English in dialogue and songs as well. It is not uncommon to see movies that feature dialogue studded with English words and phrases, or even whole sentences. Some movies are also simultaneously released in two or three regional languages (either using subtitles or several soundtracks). Contemporary Tamil movies often feature Madras Bashai, a colloquial version of Tamil spoken in Madras. A select few, Iruvar and older films based on epics, for instance, employ literary Tamil extensively in dialogues when the situation calls for it. Many Tamil films are also dubbed into Telugu and Hindi and released in their respective states.

The Release of Robot Starring Rajini Kanth directed by supremo Shankar is expected to make a history in Indian Cinema. Robot is Director Shankar’s dream project.

The Telugu film industry

The Telugu film industry is based in Andhra Pradesh’s capital city, Hyderabad is second biggest industry in India after “Hindi” industry. The state also has what is claimed to be the largest film studio in the world, Ramoji Film City. The first studio for Telugu talkies was Vel Pictures, constructed in 1934 by P.V. Das, located at Madras. The first film made here was Sita Kalyanam. The first film made by a Telugu person, R.S. Prakash, was Bhishma Pratigna (The Pledge of Bhishma, 1922). Another important Telugu personality of this era was Y.V. Rao (1903-1973), an actor and director, whose silent film (directing) credits include Pandava Nirvana (1930), Pandava Agnathavaas (1930) and Hari Maya (1932). The first big movies in Telugu were made by the Surabhi Theatres troupes. They produced the first Telugu talkie, Bhakta Prahlada, directed by Hanumappa Munioappa Reddy in 1931. In the first few years of Telugu talkies, films were all mythological stories, taken from the stage. In 1936, Krittiventi Nageswara Rao made the first Telugu film not based on mythology, Premavijayam. The film influenced other Telugu film-makers into making such films. Some popular themes of these films (often called ‘social’ films) were the feudal zamindari system (Raitu Bidda, 1939), untouchability (Maala pilla, 1938), and widow remarriage. Since then, there have been both social (contemporary) and mythological or folk stories in Telugu cinema.

In the Telugu film industry, directors such as Kasinadhuni Viswanath (K.Viswanath), Ram Gopal Varma, Jandhyala, Krishna Vamsi and Singeetam SreenivasaRao have achieved box-office success whilst producing films that have balanced art and popular elements.Most number of Guinness records are in the telugu industry.Most number of films directed.most films produced by a producer.most number of songs sung by a male singer.and more .telugu Films have large box office collections in United States and England (UK) and most popular among the Indian abroad. Telugu files are also Remaked and Dubbed in other languages like Tamil,Malayalam and Kannada and will be release in respective states.

Telugu films are released in Andhra Pradesh, Karnataka, East Maharastra, Orissa and few parts of West Bengal. Telugu movies are released world wide in United States, Canada, parts of Europe, South Africa, Malaysia and Singapore.



January 28, 2008 - Posted by | Entertainment | , , , ,


  1. “..lesser known…Dhallywood.” Well you are right. It is certainly lesser known… However it would be wrong to think of it as monolithic. Bangladesh’s better film-makers would be horrified at being labelled as part of Dhallywood! And it has a very interesting and twisted history….explore it!

    Comment by Shafi | January 29, 2008 | Reply

  2. Thanks a lot for your comment Shafi. I appreciate it!!! Will surely explore it!! Thanks again!!!

    Comment by preethika | February 1, 2008 | Reply

  3. Hi preethika,

    nice article.But I feel many of the Industries which you mentioned are not doing so well in commercial format.To me i feel that Tamil,telugu and kannada Industries are thriving in commercial format.Offlate malayalam Industry has taken huge steps backward in terms of commercial revenues.Others industries are really backward when it comes to commercial revenues such as marathi Industry.Can you cover even those aspects in your next artlcle.It would be nice to know such things also.

    Ps: please forgive me if i am wrong anywhere.

    Thanks and Regards,
    Raghunath GB

    Comment by Raghunath | February 4, 2008 | Reply

  4. Also one more thing,

    kannada film Industry was popular in karnataka during 1960-1985 where they had a 85% market share.But during 1985-2005 their popularity had a continous decline,but thanks to some extreamly talented newcommers its again raising to a peak.There were several films in 2007 which collected a average of 20 crores which is very good collection in Indian film industry.(Remember highest grosser in hindi is 94 crores ).Mungaru maLe went on to collect 45-50 crores which is highly un imaginable before.

    Simlarly telugu Industry also saw a uprise in 2007 with hits like pokiri grossing around 65 crores(highest in tollywood).

    But sadly tamil industry apart from the exception of Sivaji did not had much to say about.this film industry has failed to maintain the standards this year which had maintained till now.lets hope tamil Industry comes back into picture in 2008 and produce great classic films which produced during 2004.

    Comment by Raghunath | February 4, 2008 | Reply

  5. Hey Raghunath!!!

    Looks like you have more details than I do!!! If you do blog let me know ur link!! N links to where you found these details abt the revenues made. Thanks a lot for your valuable feedback!!!!!

    Comment by preethika | February 5, 2008 | Reply

  6. jwpoifvwe

    Comment by anu | February 20, 2008 | Reply

  7. […] Filmmakers on the Rise The Indian film industry is the world’s largest, with over 800 feature films produced annually and with highest ticket […]

    Pingback by Indo-Canadian Filmmakers on the Rise « RawTalent | February 20, 2008 | Reply

  8. Hey…Preethika,

    I was surprised to see that you have left out one of the top directors of India from Kannada industry – Girish Kasarvalli (He has won may international film festival awards and stand next to Adoor Gopolakrishna. May be you could add something about them.

    Comment by Dilip Athreya | March 16, 2008 | Reply

  9. i wanna know how i can find distribute indian film company!?
    please help me!
    many thanks

    Comment by hani | September 4, 2008 | Reply

  10. Nice to hear that Telugu is the Second Largest Industry in India after Hindi. Still now I was thinking Tamil is next to Hindi. Thank you for your information and for that wonderful article.

    Comment by Gupta | December 17, 2008 | Reply

  11. Tamil film + Hindi film + English film = Telegu film = comedy movie

    Comment by Anish | December 24, 2008 | Reply

  12. “Tamil film industry is the second biggest”. You telegu people and hindi people hate it or love it. But that is the reality.

    Comment by Anish | December 24, 2008 | Reply

    • Yes….TELUGU Film Industry is the second Largest in INDIA and it’s not Tamil….but only tamil ppl believe that their industry is even superior to bollywood…can’t help it…..You can check out….MAGADHEERA (TELUGU) is the SECOND-HIGHEST GROSSER of Indian cinema next to GHAJINI (HINDI)

      Comment by Srikanth | December 24, 2009 | Reply

      • Some Telugu people do not accept the reality.

        Tamil Film Industry is the Second largest film industry right from the beginning. Tamil Film Industry is way ahead of Telugu Film Industry interms of Number of Films Produced, Distribution and Revenue generation in India and worldwide..
        Telugu cinema comes Third.

        Telugu people say theirs is the Second most widely spoken language in India. Whereas the fact is that Bengali (8.3 Crore Population) is the second most widely spoken language in India. Telugu population is only 7.4 Crores

        Comment by Rahul | September 19, 2011

  13. hii..namaskara…first of all happy republic day…nice article…commercial elements is the only thing people think about irrespective of knowledge…people going on road are heroes and heroines im so sad about that..
    enthusiast like me who are interested in making art movies are not encouraged by any directors…do you know any directors or producers interested in making good movies not commercial sorry….i dnt thnk we will find one nowadays…right

    Comment by anil kumar gs | January 26, 2009 | Reply

  14. Yes ,
    TAMIL is the second largest industry and may soon overtake bollywood if everything goes right…

    Comment by kanor | March 10, 2009 | Reply

  15. hi lets compare each language films so that we can know each others strength and reality

    Comment by Rajesh | June 22, 2009 | Reply

  16. first of all happy republic day

    Comment by Salman Khan | February 28, 2010 | Reply

  17. My name is Prasanth, I have created a video. Please enjoy

    Comment by Prasanth | May 11, 2010 | Reply

  18. I am the actor and producer.

    Comment by Prasanth | May 11, 2010 | Reply

  19. Tamil Cinema – Kollywood is the second largest film industry in India after Bollywood interms of Revenue generation and distribution accross the globe

    Telugu cinema comes third and not second.

    Although Telugu people population is much higher than Tamils, revenue generated by Tamil films in India is little higher than revenue generated by Telugu films.
    When it comes for distribution & revenue generation globally, Tamil cinema is way ahead of Telugu Cinema.This trend is continueing for decades.

    In Tamilnadu, it is Tamil Cinema accross the length & breadth of the state except for a few Hindi & English movies.

    Whereas in Andhra Pradesh, Telugu movies are facing stiff competition from Hindi films in Hyderabad. Infact Hindi movies dominate Hyderabad market, although Telugu movies diminate rest of Andhra Pradesh.

    When it comes to neighbouring states, In Karnataka, Telugu movies have their market share in ‘Hyderabad Karnataka’ region and in Bangalore.
    However due to its huge market share in Bangalore, Tamil cinema is slightly ahead of Telugu Cinema interms of overall Revenue generation and distribution in Karnataka.

    In Kerala ofcourse, next to Malayalam movies, it is Tamil Cinema which holds a good market share, whereas Telugu Cinema has No presense in Kerala.

    As far as international market is concerned, Tamil Cinema is way ahead of Telugu Cinema, although it has lot more potential to be tapped. Bollywood is having a huge share in International maket.

    Hence although Tamil Cinema is only slightly ahead of Telugu Cinema in India, since it is way ahead of Telugu cinema globally, Tamil Cinema is comfortably ahead of Telugu Cinema in over all revenue and distribution.

    ustry – Kollywood is the second largest film Industry in India interms of Revenue and distribution both in India and globally for decades, although Telugu releases more No of movies.

    Although Telugu people population is much higher than Tamils, Revenue generated by Tamil films in India is little higher than revenue generated by Telugu films. When it comes for distribution & revenue generation globally, Tamil cinema is way ahead of Telugu Cinema.This trend is continueing for decades.

    Comment by Rahul | September 10, 2011 | Reply

  20. There is no doubt telugu film industry is the 2nd biggest industry in ind after bollywood tamil is the 3rd
    telugu films have large market world
    but tamil directors are more talented than tel directors

    Comment by Swathi(bangalore) | November 30, 2011 | Reply

    • By all means Tamil Cinema is the 2nd largest. Telugu Cinema is way behind at 3rd position

      Telugu cinema is behind Tamil Cinema by all means. When it comes for global market, Tamil Cinema is very close to Bollywood, whereas Telugu cinema is nowhere in the picture

      Telugu Cinema is watched only by Telugus, whereas Tamil movies are watched by people of all the languages.

      Even Telugu people watch Tamil movies whereas Non Telugus do not watch Telugu movies

      20% of Telugu movies released are dubbed from Tamil. Which means Telugu cinema depends on Tamil movies for 20% of its revenue

      Comment by Rahul | February 7, 2012 | Reply

  21. Nice article.Specially Got to know more about malyalam film industry. I just read some comments to your article. People are arguing over who is superior to other. Such a stupidity. As a indian i am proud of all regional film industries and wish good luck for their prosperity. And everyone is comparing the collections made, but i consider “Quality over quantity”. As the article is written in 2008 and i am commenting in 2012 after 4 long years the marathi film industry has grown considerably. It is winning many national and international awards presently. and do not forget the first indian movie was a marathi film the oldest film industry in india is marathi film industry. Thankyou.

    Comment by pratik | May 5, 2012 | Reply

  22. What’s the ranking of bengali flim industries.

    Comment by Arnab | July 7, 2012 | Reply

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    Comment by Anonymous | August 26, 2014 | Reply

  25. those tamil people(sambarians) won’t digest the truth.they are in virtuality

    Comment by sujith | September 30, 2014 | Reply

  26. What’s up, yes this article is in fact pleasant and I have learned lot of things from it concerning blogging.

    Comment by best black friday deals 2014 online | October 13, 2014 | Reply

  27. Nice article regarding the IFI with brief but interesting information on the various film industries of India, but let’s call them all under one name,i.e; Indian Film Industry. There is amazing history of excellent performers and memorable works all over India.It is unnecessary to give ranking for them, as i believe it all varies with the regional customs, cultures and beliefs.

    I believe Tamil & Telugu film industries are no less than the other, (Just like 2 students get the same grade), again i don’t mean they get same rank or even that they are any less than Hindi film industry.

    Hindi, Tamil and Telugu industries are prominent film industries ever since the movies started releasing in India. Hindi is for north while Telugu and Tamil belong to south which makes them incomparable, but we as indians can view any language movie if it’s worth watching and can able to catch up.

    When Tamil industry has diamonds in directors like Bharatiraja and Balachander, Telugu industry has animuthyalu in Bapu-Raman and K.Vishwanath; if it has AVM industry the latter has Ramoji film city; if it has melodious Hariharan the latter has legendary S.P.Balasubrahmaniyam who sang highest no. of songs all over the world; if it has actors like Kamal Hassan and Rajinikanth; the latter has Chiranjeevi and Nagarjuna; if it has Ilaiyaraja and AR Rahman the latter has Raj-Koti and MM Keeravani; if it has movies like Apoorva Sahodharargal, Bhasha, Roja, Gentleman, Endhiran to name a few, the latter has Maya Bazaar, Swathimuthyam, Shankarabharanam, Sagarasangamam, Annamayya to name a few. Stars like Savithri and
    Soundarya are still remembered for their wonderful performances and down to earth characters even after their unfortunate demisals.

    I personally believe Telugu movies are smart but very typical wheras Tamil movies are creative but often silly. Despite of having a lot of differences in tradition and many other, both the industries share many common performers and works.Both share a lot of same movies or
    scripts in the form of remakes and dubbings. Both has lot of high, mid & low budget movies and releases every year. High budgets movies of both industries release worldwide and overseas. Movies like Geetanjali are billingual. Directors like Mani rathnam & Shankar kept both regions in consideration and took films to release at both places. Directors like Gautham Menon took movies in both languages. Composers like SA Raj Kumar & Harris Jayaraj gave amazing beautiful albums in both the languages. Nagarjuna done few in tamil and Kamal done few in telugu. These all doesn’t belong to merely one industry just depending on the place they were born when they contributed their work for both industries.

    Apart from these there are many good classics of genres horror and romantic in Hindi and good suspense, mystery movies in Malayalam.

    Indian Cinema is famous all over the world for its judicious blend of traditional and modernity. Many great personalities like Sathyajit Raj(the first Indian to receive doctorate), Kishore Kumar, Lata Mangeshkar have developed our cinemas to the international level. But the matter is the GLORY is all ONCE UPON A TIME thing.

    Indian movies are awesome with good content in 60’s, later 90’s and early 2000’s. Those periods preferred ”story over star” which is the best while 70’s and 80’s preferred ”star with story” which is atleast better. But at present, it is all ”star over story” now. Except a few ok movies, rest all bears no good script, no good direction, no good acting, worst songs, unnecessary wastage of technology with over production which is good for nothing, heavy dosage of romance, brutality with much over action, over dosage of dialogues and dances. Whatever the language it is, movies seem awkward, nasty, wierd and OTT.

    Films have become stereotyped and violence, lust, obscenity, vendetta have become the hall marks of modern cinema. We are on the cross roads of value crisis and family relationships are on the wane. We require films which portray family relations, healthy love, positive outlook in the them, trends and techniques. They must be realistic and contemporary. Fine sense of humor and didactic is necessary. Movies have to tackle sensitive, social situations in a skilled manner and make good & efficient use of technology and art along with choosing good artists, both cast and crew. The story must have high preference above all, be it any genre – love, family drama, horror, mystery, thriller, detective, technological,mythological, socio fantasy, musical,etc.

    Both viewers and arists have to be changed as soon as possible as it highly impacts society. Artists with good skills and down to earth have to be chosen correctly and viewers must take movies in good way. They can admire the artists but not become high fanatics to them which make them lose everything, studies, future and sometimes even lives. They have to give more importance to their own lives and family, at first. They can take their favorites as inspiration if they do something genuinely good. After all they are humans just like us.

    Let us consider these industries as all in one industry and respect each and every regional essence as everything has it’s own charm. It is upto us to select good and extract good from lot of presented content instead of simply going mania to whatever is being released. Let us hope IFI once again retains to it’s previous charm and spread it’s good fragrance in future years.

    Comment by Lovely | January 29, 2015 | Reply

  28. Film Industry job plz 1 chass

    Comment by omkar | June 30, 2015 | Reply

  29. The Tamil film market, which accounts for 36% of the overall south Indian market, will see its movie industry grow from Rs 940 crore of revenue to Rs 1,450 crore in four years. This year the audience could pick and choose from 150 films released in Tamil. The Telugu film market is a close second in box office revenue, recording Rs900 crore this year

    Comment by Kalai | September 11, 2015 | Reply

  30. Tamil song “Why this Kolaveri” that went viral and now has recorded over 11.9 million hits on video content site Youtube

    Comment by Kalai | September 11, 2015 | Reply

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